| PLAY OF APPEARANCES |

melanie-bosboom

Play of appearances, a solo exhibition by Melanie Bosboom at C&H art space Amsterdam from the 18th of May until the 29th of June 2013.

In this photography series Melanie Bosboom plays with the viewer: she’s not a woman, she’s not a man and she uses dresses and clothes to camouflage herself. She takes the viewer into a playful world built by her fantasy where there isn’t a right or wrong. There is actually no image recognizable completely of the woman. Her characters are often covered with layers and layers of clothing, or hidden beneath coats, or in front of mirrors. Hiding and masking allows her to assume multiple identities in unusual circumstances and to play with ambiguities and contradictions. These two things fascinate her, especially the combination of them. What makes something male or female? How can an image provocative and challenging being at the same time vulnerable and fragile?

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| 3 EXHIBITIONS AT FOAM |

3EXPOATFOAM Collage
3 new exhibitions at Foam from the 14th of July: Stephen Gill – Best Before End, Monica Nouwens – Look At Me And Tell Me If You Have Known Me Before, Foam 3h: Lara Dhondt – Memento.

Stephen Gill – Best Before End
Gill’s most recent series Best Before End was created with the aid of energy drinks which resulted in fantastical, abstract and vividly coloured works that through their intensity reflect contemporary, hectic urban life. First, he placed objects in the camera before taking the photographs, as he had done in the previous series. The negatives were later immersed in the energy drinks, which made the images shift their positions, disruptions to appear and softened the film emulsion. This made it possible to manipulate the emulsion – to stretch it, move it, tear it and to separate the various layers of the film, which were then reworked with a soft brush.

talking-to-ants-2-c-stephen-gill-courtesy-of-the-artist

Until the 14th of July 2013

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| WATCHING THE SUGAR MAN |

Rodriguez

The story of Sixto Rodriguez is really quite unbelievable. The sixth child of a working-class family, he recorded the albums Cold Fact in 1970 and Coming from Reality in 1971. Although both albums were true diamonds neither sold well and, as a result, Rodriguez’s music career came prematurely to a halt.

In the years that followed Rodriguez stayed in Detroit, doing hard manual labor and always being close to a state of poverty. His music, however, was becoming increasingly popular in Australia and South Africa, where his fame was comparable to Elvis Presley and Bob Dylan. What is more, some of his songs would serve as antiApartheid anthems having a great influence upon several South African musicians.

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| ONE ZERO ONE – THE STORY OF CYBERSISSY & BAYBJANE |

COVERSISSI

Transcreen Film Festival review by Grazia Ingravalle – One Zero One.

TranScreen, Amsterdam’s queerest film festival could have never lost the opportunity to screen such a queer movie as One Zero One – the story of Cybersissy & BayBjane. If Judith Butler’s concept, “queer,” means kind of weird, bizarre, abject and deranged, definitely “indefinable” and eventually escaping the boundaries of the “recognized” subject/object – then we can well apply this definition also to Tim Lienhard’s movie. In fact, One Zero One, premiered on Thursday night at Cinema het Ketelhuis stylistically is truly queer. Not only the two protagonists of the narration are so, but also the very way the film is conceived brakes the bounds of film genres. Tim Lienhard borrows TV and videoclips’ eclectic language and throws at us a documentary that at the same time is also a fairy tale and a video-arty phantasmagoria.

One Zero One tells the story of the “life changing” meeting at the legendary gay club Lulu in Berlin between Antoine Timmermans, aka Cybersissy, and Mourad Z., BayBjane. The former is a Dutch artist that in 1994 invented and designed his stage-persona Cybersissy, boosting the parties of the most popular clubs in Europe. The latter is the multi-disabled son of Maroccan migrants in Germany, who became a world-renowned party-performer, BayBjane, thanks to the encounter with Antoine.

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| HE’S LOST CONTROL |

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Hooded sweater: Religion • Pants: H&M • Shoes: Converse LTD • Necklace: Maison Martin Margiela

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| TRANSCREEN FILM FESTIVAL HAS JUST BEGUN! |

COVER TRANSCREEN

Transcreen Film Festival review by Grazia Ingravalle – The opening…

The second edition of TranScreen Film Festival – 8-12 of May – started Wednesday at Cinema het Ketelhuis with a super rich programme of shorts, art-house films, road movies, documentaries, blockbusters, experimental animation, porns, workshops, exhibitions and especially galas (!) – all from a transgender perspective. This year’s programme boasts 34 filmslots structured in six sections: World Reports, Feeling Community, Mixed Abilities, STOP Pathologization, To see & be seen and Unambiguosly Intersex.

trans Collage

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| NINA SIMONE’S GOT LIFE |

NINA SIMONECOVER

Nina Simone (A)Live is an intimate account of Nina Simone’s life story and personal relationship with music. Seen through the perspective of seven different artists/actors/performers (Sabrina Starke, Hans Dagelet, Wudstik, Aisa Winter, DJ LOVE SUPREME, Liesbeth Peroti and Alvin Lewis), the peculiar universe of Nina Simone is being explored and presented in a way that combines music with a wide range of original tricks and theatrical devices.

Throughout the performance, cast and audience alike are engaged in a continuous search for Nina Simone. Born Eunice Kathleen Waymon on 21st February 1933, she was a child piano prodigy who would also evolve into a singer, songwriter, arranger, and civil rights activist in the decades to come.

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| DOCUMENTING THE NEW GREEK DIASPORA |

COVER NEW DIASPORA

Hoop Doop meets Nicolas Stamboulopoulos founder and creative director of New Diaspora and spiralmove.com
Film lover, maker and teacher, he learned how to ride a bike after he reached 40. Spent way too many hours blogging and communicating with total strangers. Never regretted it. Doesn’t believe in boxes and people who think anywhere near them.

You have recently started an ambitious project focusing on personal stories of expatriate Greeks. Could you tell us a bit more about it? Why did you find it important to document this?
Being a part of the current migration wave myself, I soon realized there’s more to it than just a few stories about Greeks who decided to leave their country. This crisis is global, and the same goes for its complex causes and consequences. Looking at it from the point of view of the ones who left opens up a whole new perspective on matters regarding national, cultural and political identity. And by letting our community members share their own experiences with an international audience, we’re attempting to intervene in the debate about our country, and break a couple of stereotypes along the way. I guess New Diaspora is writing history in a sense, and it’s doing it as it happens. Which means we actually have a chance of influencing the shape of things to come; even slightly.

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| ART IS LIFE |

COVERrahi

Sarah-Jane Threipland meets Rahi Rezvani

Some art we feel in our being, as part of us. It has an energy that sings. It may lie in a sketchbook, hang on the wall or sit watchfully in a gallery. Wherever it is, it takes us by the hand and runs, until we can say we’ve seen more than simply ‘it’. Rahi’s work is like this, and what follows is a little of why.

rahi

The interview consists of many statements like this, intelligent to the degree a thousand questions could arise. But what he says is so interesting, there’s not much motivation to interrupt.

And it’s not only about what he says. Looking at Rahi’s images, there’s something very different about his work. Although hard to describe what ‘it’ is, his distinct style includes dark backgrounds, other worldly characters and black glances. Images are softly focussed instead of sharp, and lighting is diffused rather than flash. It harks back to a romanticism of the 1920s-40s, a time he obviously admires.

Read more at page 6: www.hoopdoopmagazine.com/hoop-doop-21

Photo: ©Rahi Rezvani


| WEST OF THE MOON |

Loosely based on several hundred interviews with children about their dreams, ‘West of the Moon’ is the story of one man’s lost love and his strange path to redemption, aided along the way by a gambling robot, a wayward monkey, and a healthy dose of determination.

Written, Directed, & Animated by Brent Bonacorso
Staring Jacob Whitkin, Michael Garbe, Amber Noelle, Christopher Tomaselli, and Michael Galvin
Produced by Thom Fennessey
Cinematography by Tarin Anderson
Music by the ever-wonderful Devotchka

west of the moon collage

Winner of Best Short film @ Santa Barbara International Film Festival
Winner of Best Short film @ Aspen Shortsfest
Winner of Best Short film @ Rushes Soho Shorts Festival
Winner of Best Short film @ Carmel International Film Festival
Winner of Best Short film @ Florida International Film Festival.