| IN HIGH FASHION |

marlene dietrich 1934 c edward steichen conde nast publications-archive

Edward Steichen – In High Fashion the Condé Nast Years, 1923–1937 from the 28th of June at Foam.

This exhibition, with more than 200 unique vintage photos, represents a high point in Steichen’s long photographic career. The works that he made throughout this period for the influential Vogue and Vanity Fair magazines are some of the most impressive creations of the twentieth century. They have been brought together especially for this exhibition and are being shown for the first time in the Netherlands.

Edward Steichen (1879-1973) was already a famous painter and photographer on both sides of the Atlantic when, in early 1923, he was offered one of the most prestigious and certainly the most lucrative position in photography’s commercial domain – that of chief photographer for Condé Nast’s influential and highly regarded magazines Vogue and Vanity Fair. Summoning up his exceptional talents, and fired with prodigious enthusiasm, Steichen spent the next fifteen years showcasing the culture of that era and its most prominent exponents from the realms of literature, journalism, dance, sport, politics, theatre and film. It was for his images of haute couture, though, that Steichen remains best known.

Exhibition will run until the 6th of September 2013.

More info: www.foam.org

Photo: Marlene Dietrich 1934 ©Edward Steichen Conde Nast publications-archive.

| MY PHAIR BABY |

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‘MY PHAIR BABY” exhibition by Laura Andalou, the 23rd of May, at PHINTAGE by Helen Yard.

In her new solo exhibition Laura Andalou portrays 2 different women that each represent the characteristic women of PHINTAGE By Helen Yard and newborn PHINTAGE by Sharon, but the catch is, each in their opposite environments. What they have in common is their deliberated attitude towards life and their expressive appearance, described as ‘New Chic’.

EVENT:
Jewels by Cristel Ball
Drinks by Karakter Wijnimport
Music by Cristel Ball and Fritz The Face

More info: www.phintagebyhelenyard.com/

| FELLINI – THE EXHIBITION |

Anita Ekberg and Marcello Mastroianni, La dolce vita, 1960

From 30th of June until the 22 September, EYE presents a major exhibition on Federico Fellini.

‘Fellini – The Exhibition’ unravels the filmmaker’s universe, taps into the sources of his fertile imagination and brings the vital power of his work into the limelight. 20 years after his death, large projected film fragments, photographs, archive documents and posters – from the EYE collection among others – provide insight into the obsessions and motivations of the man behind La strada, La dolce vita and 8½.

Federico Fellini (1920-1993), possibly the most famous filmmaker that Italy has ever produced, had a career that spans forty years. Those forty years yielded titles that have become forever ingrained in the memory of every film buff. The bellowing escape artist from La Strada (1954), the tormented high-society reporter from La dolce vita (1960), the tyrannical director with a whip from 8½ (1963) or the woman who lovingly clasps the young boy from the village between her large breasts: these figures have developed into archetypes of a universe that we have come to call ‘Fellinian’. A universe in which Fellini’s alter ego – played by Marcello Mastroianni on several occasions – turns up in ever changing guises and passes a parade of grotesque human weaknesses in revue.

Photo: Anita Ekberg and Marcello Mastroianni, La dolce vita, 1960 (Photo: Pierluigi, Christoph Schifferli Collection, Zürich, with thanks to the Fondation Pathé)

| PLAY OF APPEARANCES |

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Play of appearances, a solo exhibition by Melanie Bosboom at C&H art space Amsterdam from the 18th of May until the 29th of June 2013.

In this photography series Melanie Bosboom plays with the viewer: she’s not a woman, she’s not a man and she uses dresses and clothes to camouflage herself. She takes the viewer into a playful world built by her fantasy where there isn’t a right or wrong. There is actually no image recognizable completely of the woman. Her characters are often covered with layers and layers of clothing, or hidden beneath coats, or in front of mirrors. Hiding and masking allows her to assume multiple identities in unusual circumstances and to play with ambiguities and contradictions. These two things fascinate her, especially the combination of them. What makes something male or female? How can an image provocative and challenging being at the same time vulnerable and fragile?

[Read more...]

| 3 EXHIBITIONS AT FOAM |

3EXPOATFOAM Collage
3 new exhibitions at Foam from the 14th of July: Stephen Gill – Best Before End, Monica Nouwens – Look At Me And Tell Me If You Have Known Me Before, Foam 3h: Lara Dhondt – Memento.

Stephen Gill – Best Before End
Gill’s most recent series Best Before End was created with the aid of energy drinks which resulted in fantastical, abstract and vividly coloured works that through their intensity reflect contemporary, hectic urban life. First, he placed objects in the camera before taking the photographs, as he had done in the previous series. The negatives were later immersed in the energy drinks, which made the images shift their positions, disruptions to appear and softened the film emulsion. This made it possible to manipulate the emulsion – to stretch it, move it, tear it and to separate the various layers of the film, which were then reworked with a soft brush.

talking-to-ants-2-c-stephen-gill-courtesy-of-the-artist

Until the 14th of July 2013

[Read more...]

| HE’S LOST CONTROL |

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Hooded sweater: Religion • Pants: H&M • Shoes: Converse LTD • Necklace: Maison Martin Margiela

[Read more...]

| ART IS LIFE |

COVERrahi

Sarah-Jane Threipland meets Rahi Rezvani

Some art we feel in our being, as part of us. It has an energy that sings. It may lie in a sketchbook, hang on the wall or sit watchfully in a gallery. Wherever it is, it takes us by the hand and runs, until we can say we’ve seen more than simply ‘it’. Rahi’s work is like this, and what follows is a little of why.

rahi

The interview consists of many statements like this, intelligent to the degree a thousand questions could arise. But what he says is so interesting, there’s not much motivation to interrupt.

And it’s not only about what he says. Looking at Rahi’s images, there’s something very different about his work. Although hard to describe what ‘it’ is, his distinct style includes dark backgrounds, other worldly characters and black glances. Images are softly focussed instead of sharp, and lighting is diffused rather than flash. It harks back to a romanticism of the 1920s-40s, a time he obviously admires.

Read more at page 6: www.hoopdoopmagazine.com/hoop-doop-21

Photo: ©Rahi Rezvani

| THE MARK OF ABEL |

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The Mark of Abel, Photographs by Lydia Panas from the 11th of May at Eduard Planting Gallery Amsterdam.

American photographer Lydia Panas exhibits for the first time in The Netherlands. Set in the grimly green countryside of Pennsylvania, ‘The Mark of Abel’ is a collection of intense group portraits taken of her friends and family.

For three years Lydia invited families to stand before her lens. Nothing was deliberate or planned. These diverse groupings of children and adults, relatives and close friends, stood graciously before her, taking positions in relationship to each other and to the camera.

Exhibition will run until the 22nd of June.

More info: www.eduardplanting.com

Photo: ©Lydia Panas

| CHARACTERS OF MY WORLD |

madam portrait

Madame Portrait self portrait exhibition at TNLP Amsterdam from the 16th of May until the 6th of June.

A selection of new work and the best of the oldies will be exhibit. Check our interview with Alexandra de Feo AKA Madame Portrait.

More info: www.madameportrait.com

| MICHEL COMTE |

© MICHEL COMTE, JEREMY IRONS WITH MONOCLE, LONDON, 1990

Michel Comte solo exhibition at CAMERA WORK Berlin.

CAMERA WORK presents the solo exhibition of the photographer Michel Comte, with more than 100 photographs the gallery gives an extensive insight into Michel Comte’s impressive artistic accomplishment. He is considered one of the most significant contemporary fashion and society photographers. His individual visual aesthetics characterized the 90’s and until today mostly influenced fashion photography.

Exhibition will run until the 1st of June 2013.`

More info: www.camerawork.de

Photo: © MICHEL COMTE, JEREMY IRONS WITH MONOCLE, LONDON, 1990