| BOWIE BY DUFFY |

David Bowie Aladdin Sane (Classic) 1973 ©Duffy Archive

Bowie by Duffy – Photographs ’72 – ’80 from the 21st of June until the 6th of October 2013 at &Foam.

During this Summer, &Foam, will exhibit an exclusive selection of images of David Bowie made by the late legendary fashion photographer Brian Duffy. Between 1972 and 1980 Duffy worked with Bowie on five photographic projects, including three of his most famous album covers – like the iconic imagery for Aladdin Sane and Lodger. The exhibition gives an insight into the creative process with a variety of prints, some of them showing behind-the-scenes, contact sheets, Polaroids, original album covers, photographs documenting the film: The Man Who Fell to Earth and several personal objects from the Duffy archive.

More info: www.foam.org/

Photo: David Bowie Aladdin Sane (Classic) 1973 ©Duffy Archive

| I SHOT THE BAND @ ROEST |

COVER I SHOT THE BAND

The photography contest I Shot The Band from the 8th of June at Roest.
The winners Luca Negtering, Laura Kok, Katy Strange, Marcel Kollen, Martijn Petrus Olieslagers & Erik Lumbela shoot The Real Youth, WOLVON en FilosofischeStilte. The bands performed live at Roest.

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| TURN THE TABLES BY SNOWAPPLE |

COVERSNOWAPPLE

Hoop Doop song of the day – Turn the tables by Snowapple ♥

Snowapple – Three girls from Amsterdam who sing sweet harmonies and also play a large number of instruments – they are Una Bergin, Laurien Schreuder and Fanny de Ruiter, aka Snowapple.

More info: http://snowapple.nl/

Photo: Snowapple website

| WATCHING THE SUGAR MAN |

Rodriguez

The story of Sixto Rodriguez is really quite unbelievable. The sixth child of a working-class family, he recorded the albums Cold Fact in 1970 and Coming from Reality in 1971. Although both albums were true diamonds neither sold well and, as a result, Rodriguez’s music career came prematurely to a halt.

In the years that followed Rodriguez stayed in Detroit, doing hard manual labor and always being close to a state of poverty. His music, however, was becoming increasingly popular in Australia and South Africa, where his fame was comparable to Elvis Presley and Bob Dylan. What is more, some of his songs would serve as antiApartheid anthems having a great influence upon several South African musicians.

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| NINA SIMONE’S GOT LIFE |

NINA SIMONECOVER

Nina Simone (A)Live is an intimate account of Nina Simone’s life story and personal relationship with music. Seen through the perspective of seven different artists/actors/performers (Sabrina Starke, Hans Dagelet, Wudstik, Aisa Winter, DJ LOVE SUPREME, Liesbeth Peroti and Alvin Lewis), the peculiar universe of Nina Simone is being explored and presented in a way that combines music with a wide range of original tricks and theatrical devices.

Throughout the performance, cast and audience alike are engaged in a continuous search for Nina Simone. Born Eunice Kathleen Waymon on 21st February 1933, she was a child piano prodigy who would also evolve into a singer, songwriter, arranger, and civil rights activist in the decades to come.

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| HOOP DOOP MEETS BASSCULTURE |

BasscultureDepender

Bassculture is an independent organisation located in the heart of Amsterdam that organises events, programs, radio shows, books artists and produces its own miscellaneous music.

Your mission is to create crossovers between music, cultures and art, when and why did you start the Bass Culture project?
I started to play records on Bassculture local radio in 2003 and played at Bassculture gigs..it was only roots & reggae then. In 2007 we decided to bring Bassculture to the Overtoom 301 (OT301) in Amsterdam with a more diverse and refreshing music programming with the Bass as signature. Besides Roots & reggae we brought more D&B, jungle and live acts combinations that were different but heavy and good with live painting at the spot.
At ADE 2008 we had a pretty good line up that people still talk about in the city.

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| HOOP DOOP MEETS FLOCKEY |

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Flockey is an international dancer and choreographer from Germany.

Hello Flockey. Tell us about yourself.
My name is Flockey, I live in Western Germany and I’m originally from Congo in Africa.

When did you start dancing and why?
2004 was the year when I started with my friends. Dance wasn’t actually the main passion for me at that time. Since I was a kid my parents used to see me as a soccer player and honestly, I felt really comfortable with it. Later on , in 2005, we moved from the south to west Germany, so that was my phase when life restarted, compared to the past years. I stopped playing soccer because I was home sick for the south… I used to be very sad and angry at my parents because of that period of being alone without my friends who lived 6 hours away from me. I remember feeling really bored, and going to a soccer place, just to play by myself, and there was this one guy. He was the first homie… well, later on he asked me if I do something else besides soccer, so I said that I actually used to dance, just for fun. 
Two weeks later he brought me to a place where people practiced, and it was perfect. Since then I’ve worked so hard to reach my goals. And yes, now I know that my parents just wanted to make the best out of it, to give me and my brothers and sisters a better future. I’m definitely thankful for that, always.

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| A DAY AT THE RECORD STORE |

COVERCONCERTO

Saturday April 20, 2013 was a special day for thousands of record stores worldwide. It was Record Store Day: the day when day when all the independently owned record stores come together with artists to celebrate the art of music.

Originally conceived in 2007, Record Store Day aims to celebrate and spread the unique culture surrounding independently owned record stores. It is celebrated the third Saturday every April through special vinyl and CD releases, live performances, and various festivities including cook-outs, body painting, and meet & greets with artists.

LOGORECORDSTORE

Why is all this important? As American singer-songwriter Ben Harper so aptly put it:
“Independent record stores are much more than the name suggests. They are an international community and platform where music has an outlet and an opportunity to grow over the long term, in a way that sincerely connects with community and culture.”
In The Netherlands, several independent records stores participated in this unique event, making Record Store Day a very special experience for all those romantic souls who chose to celebrate music by partaking in the festivities and sharing the excitement surrounding the occasion.

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| HOOP DOOP MEETS KUBUS |

kubus

Kubus is an ‘underground’ electro-hiphop-producer from the Netherlands.

You have been referred to as an underground, electro-hip hop producer. What does that actually mean?

When I started doing music I was DJing and then I started drum’n’bass jungle until I reached a certain point where I decided to do my own music. Something like that was cheap back in 1999, but the thing that gave more exposure was hip hop. 

You have worked with rappers like DuvelDuvel, Typhoon and Jawat! What do you think is the key to a fruitful musical collaboration?

I always collaborated with different crews, also because it used to be easier for me to make music with MCs. I’ve always found it hard to make a track without an MC, but it is merely a coincidence. I just love making music, I like the vibes. I work on vibes.
Sometimes the collaboration just happens: someone approaches me or the other way around. But most importantly, when I collaborate with someone there must be a click, a friendly connection on some level; I don’t invite people I don’t like in my house. [Smiles] 
On of my best experiences was when I realized my first album in 2005. At the end of the year we went on a legendary tour in Holland: shows were sold out everywhere and everybody said it couldn’t be done again in Holland. On those days Dutch hip hop was really in the beginnings, and it was a collaboration between amazing artists.

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| HOOP DOOP MEETS PHIL HORNEMAN |

philHbanner

Phil Horneman was born in Amsterdam (NL) in 1967. He is a dj and Radio presenter at Radio 6 Soul & Jazz.

You have been involved with music in one way or another for more than 30 years. What do you think have been the most important changes in the music business during this time?

I’m in the business for 30 years, but Music has been around for hundreds of years. Since the beginning of the last century, when jazz and rhythm and blues started, music has developed into a huge melting pot of all kind of styles, and keeps on developing. Disco came up, then hip hop, and after that house and sampling, which is amazing! 

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